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Silence

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In the wired and connected twenty-first century, is there any place for silence? In this sonic exploration of the meditative and therapeutic power of silence you’ll hear poets and thinkers as diverse as Søren Kierkegaard, Thomas Merton, Judith Wright, Miroslav Holub, Henry David Thoreau and ee cummings. Dedicated to the memory of Margaret Cameron

The Blues

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Blues, the quintessential American musical form, was born in the work songs, field hollers and spirituals of the African Americans of the South. It travelled from the Mississippi delta through to Chicago, and to the east coast, forming the back bone of American music. This program brings together poems from a recent anthology by a range of writers responding to the music, and the music itself.

The Taste of River Water - Cate Kennedy

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An intimate conversation and poetry reading recorded with Cate at her home in rural Victoria. Cate Kennedy is a popular writer of fiction, memoir and short stories in addition to poetry. Her highly acclaimed novel The World Beneath won the People’s Choice Award in the 2010 NSW Premier’s Literary Awardsm and her third poetry collection The Taste of River Water: New and Selected Poems won the 2011 Victorian Premier’s Literary Award for poetry. Some of Cate’s poems are short stories in themselves, beautifully encapsulating miniature narratives, the observation of small detail enlivening the poems. Cate’s style is warm and accessible, and her humanity consistently shines through.

The Nightingale

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The nightingale has been a recurring literary motif throughout time in Europe and the Middle East. This 'small and inconspicuous' bird has long been held up as the paragon of birdsong, and its vocal outpourings both celebrated in verse and likened to the words issued by poets themselves. This program features poetry and prose that muses upon the sound of the nightingale's song and its implied meaning. The excerpt here is Meredith Penman reading John Keats' Ode to a Nightingale.

The Poetry of Michael Dransfield

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Born in Sydney in 1948, Michael Dransfield was first published in the mid sixties in the underground press that sprang up during that time of great political and social unrest. Like many of his contemporaries he questioned the values and mores of mainstream society, and chose to live somewhat outside them. He spent most of his adult years either living the life of a bohemian in suburbs like Balmain and Paddington, or roaming around the countryside. As a result, his poetry gave a voice to people marginalised by society. Yet his work was not limited to social or political commentary; a true romantic at heart, much of his prolific output is of a lyrical beauty. He died in 1973, at the age of just twenty-four; his poetry remains as vivid and highly regarded today as it was then.